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White Shadow, by Ace Atkins
PDF Ebook White Shadow, by Ace Atkins
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?Mesmerizing?a tour de force from one of the best crime writers at work today.??Michael Connelly
White Shadow is a ?stunning? (Lee Child) noir thriller based on real-life events.
1955: Tampa, Florida is a city pulsing with Sicilian and Cuban gangsters, cigar factories, sweet rum, and violence. The death of retired kingpin Charlie Wall? the White Shadow?has shocked the city, sending cops, reporters, and associates scrambling to find those responsible. As the trail winds through neighborhoods rich and poor, enmeshing the innocent and corrupt alike all the way down to the streets and casinos of Havana, an extraordinary story of revenge, honor, and greed emerges. For Charlie Wall had his secrets?secrets that if discovered could destroy a criminal empire and ignite a revolution.
- Sales Rank: #161834 in Books
- Brand: Atkins, Ace
- Published on: 2009-12-01
- Released on: 2009-12-01
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x 1.00" w x 5.50" l,
- Binding: Paperback
- 400 pages
From Publishers Weekly
Reminiscent of James Ellroy's L.A. Confidential, Atkins's fictionalized account of the unsolved murder of real-life Tampa crime boss Charlie Wall in 1955 admirably recreates a time and a place, but too much detail makes the narrative less compelling than it could have been. Wall, a famous bootlegger whose nickname gives the book its title, is an old man when he's murdered, and the plot turns on the quest to find the killer, taking detective Ed Dodge and a local reporter on a journey from Tampa's Latin Quarter to prerevolutionary Havana (Castro makes an appearance). Atkins (Dirty South), who unearthed the story in connection with a reporting assignment for the Tampa Tribune, puts his extensive research to good dramatic use. But the book gets muddled by an immense cast of characters and derailed by the author's penchant for an overly lyrical style (the Latin Quarter "was all a symphony of Latin jazz and sinners and bright-eyed boys who shined your shoes for ten cents"). Still, blurbs from Carl Hiaasen and other top names, plus crossover from true-crime fans, should help ensure healthy sales. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Atkins, who wrote an award-winning series of Tampa Tribune articles on real-life gangster Charlie Wall, uses the Mob boss' 1955 murder as a launching point for an atmospheric tale of turf war between Sicilian and Cuban gangsters in Tampa's Latin Quarter. The murder of the aging, semiretired Wall begins the story, which follows the efforts of a cynical reporter and a determined cop to peel away a multileveled cover-up and expose the truth. Atkins layers on the plotlines and the historical detail--scenes in Tampa's legendary cigar factories, even a road trip to Havana--and, despite a subplot or two too many, it all holds together just fine. The real appeal here, though, is the Latin Quarter itself--white suits, cafe con leche, bebop in sultry bars, and that heady aroma of cigar smoke mixed with corruption. James Ellroy's Black Dahlia hits some of the same notes on the opposite coast, but Atkins, also author of the Nick Travers mystery series, plays his own tune, and it puts Tampa on the crime-fiction map. Bill Ott
Copyright © American Library Association. All rights reserved
Review
Sure to be a book of the year. (Lee Child)
Most helpful customer reviews
0 of 0 people found the following review helpful.
Sloooow reading
By Paula McDonell
I liked the history. The book for me lacked punch and the ending has no resolution.
16 of 16 people found the following review helpful.
A fantastic work of fiction
By Bookreporter
WHITE SHADOW is a very different work for Ace Atkins, who has garnered critical and popular acclaim with his Nick Travers novels, a very readable series featuring a protagonist who is by turns a music professor and a somewhat reluctant private eye. What we have here is a more serious, much darker worldview.
It is a fictionalized account of the infamous and unsolved Charlie Wall murder, which occurred in Tampa, Florida in 1955. Wall, a one-time criminal kingpin specializing in the areas of bootlegging and illegal gambling, was found bludgeoned to death in his home, putting the city in an uproar and causing the ethically challenged police department to shift into overdrive to determine who was behind the deed. There was a surfeit of suspects, given that Wall had made a number of enemies, particularly among the Cuban and Sicilian gangsters who maintained a de facto control of the streets of Tampa while warily vying with and eying each other.
The narrative of the crime and its subsequent investigation are presented from different points of view. The primary of these are L.B. Turner, a reporter for The Tampa Daily Times, and Ed Dodge, a tough city detective who clings to ethics and truth in a sea full of sharks. There are others, however, including a beautiful young woman with a quiet, smoldering passion for revenge, and criminals who have various reasons for rejoicing in Wall's death, even as they work at cross-purposes. For even as Wall's murder is investigated, it has repercussions that quietly but surely affected events on an international scale --- even to this day --- among people and within places that did not even know of Charlie Wall's flamboyant existence and brutal end.
The foregoing elements, taken together, would be enough to make WHITE SHADOW a compelling read. Atkins, however, does much more here. The research that was involved in its writing is remarkable, as is its result, which is the literary recreation of a time and place removed from the present by a half-century. Atkins recreates the imagery and rhythm of Tampa in 1955 so unerringly that, at times while I was reading this work, the world outside of its pages looked foreign by comparison. Atkins's characterizations are all memorable and jolting; switching points of view continuously throughout the book, Atkins unerringly bestows each character with their own voice, so much so that one narrative smoothly follows another without the confusion that a lesser writer might otherwise impart on a reader.
That said, the primary element of WHITE SHADOW that ultimately lifts it to the summit of fictional works is its imagery. Atkins evokes the spirit of such varied figures as E. L. Doctorow (without, thankfully, sacrificing imagery for clarity), Cormac McCarthy, Elmore Leonard and James Ellroy. Violence is sudden and sure; there are double-crosses from beginning to end; and there is romance, or what passes for it.
A note on the latter: there are many types of love affairs that take place here, and it is with this element that Atkins infuses his greatest irony in its most subtle sense. For it is between the least likely of couples that the most --- and only --- successful relationship in WHITE SHADOW occurs. You'll know it when you read it.
--- Reviewed by Joe Hartlaub
7 of 7 people found the following review helpful.
The Florida nobody knows!
By Rob Smith
WOW! Whattabook! It's hard to grab all of the adjectives needed to praise this novel. Just read it!
This could be the best fictionalized non-fiction telling of more recent Florida History since `A Land Remembered' by Patrick Smith.
It covers Tampa, Ybor City and Gibsonton history. Most of the figures in the story are real: Charlie Wall, Santo Trafficante, Hampton Dunn, George Raft, Fidel Castro, etc. Ace Atkins ties all of this together with a narrative that puts you at the scene in `54. It's a terrific book!
Many folks do not know of Florida's rampant ongoing crimewave that goes back to the 1500s and that thief Desoto. Mob activity has been but a small part of it all. Atkins really brings it alive. There are no flamingos on the beach in this novel. Then again there are no flamingos on any beach in Florida. Here's an opportunity to visit the REAL Florida, circa 1954.
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