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During the 1920s, in more than a dozen cities, over four years, and across two continents, women were being butchered. Eyewitneses claim the perpetrator was a hulking Bible-carrying brute who lumbered on all fours, and laughed maniacally with each new slaughter.
The crimes haunted San Francisco Police Captain Charles Dullea, the last honest cop in one of the most notoriously corrupt departments in the country. But nothing could have prepared Dullea for where the case- and the truth-would take him.
- Sales Rank: #2997866 in Books
- Brand: Berkley
- Published on: 2010-10-05
- Released on: 2010-10-05
- Original language: English
- Number of items: 1
- Dimensions: 6.77" h x 1.03" w x 4.25" l, .45 pounds
- Binding: Mass Market Paperback
- 400 pages
- Great product!
About the Author
Robert Graysmith is the New York Times bestselling author of seven true crime books including Zodiac, Zodiac Unmasked, The Sleeping Lady, Auto Focus, and Amerithrax. He was a San Francisco Chronicle Journalist and cartoonist for twenty years, during the time of the Zodiac killings. In addition to being a bestselling author, he has been a Foreign Press Club Award winner, a Pulitzer Prize nominee, a prize winning syndicated political cartoonist, and a gold medal illustrator. He lives in the San Francisco Bay area.
Most helpful customer reviews
15 of 15 people found the following review helpful.
Good atmosphere, overly cryptic writing style
By Lisa J. Steele
I found The Laughing Gorilla in the used book bin for a mere $8; at that price it was worth it. It is wonderfully evocative of 1930s San Francisco, with some insight into the San Francisco police department of its time. Read it for that atmosphere. If you are trying to keep track of the three main murderers (and a few minor ones), you may find yourself paging back and forth to keep track of the minor characters. If you know anything about modern concerns about forensics, you'll need to set that aside -- the author chooses to follow the then-current faith in hair and fiber matching, handwriting comparisions, and the accuracy of the polygraph, making only a brief aside to mention one conclusion that is contradicted by contemporaneous British research.
Where the book fails, at least for me, is in an overly cryptic writing style. For example, there is a 10 page digression on the White Mask gang, a group of safecrackers. About six pages in, the gang's leader is confronted by a patrol officer, who recognizes him -- but the reader is not told who he is. For the next five pages, the author avoids naming the man, even when Capt. Dullea first confronts him. It is only at in the last sentence of the chapter that the author names the gang's leader as Duella's mentor, who has only briefly been previously introduced. The mysterious build-up seems to come to an anticlimactic end.)
At the very end of the book, the author explains in a note its curious structure -- it is built in threes: three murderers, three tasks facing the protagonist (Captain Dullea) in cleaning up his department, deposing a corrupt Chief, and capturing (the second) Gorilla Man; and finally three betrayals of Dullea by corrupt officials. (It might have been far more helpful if this note had come at the front.)
The book begins with a series of murders, for which Earle Nelson is eventually convicted and executed in Canada primarily on the strength of some 40 eyewitnesses. That chapter ends with the cryptic setence "Elsewhere the Gorilla Man stirred. His huge hands opened and closed. He was coming back to life. His eyes turned west." (p. 45) Is the author trying to imply that Nelson might not have been guilty? The author does emphasis Captain Dullea (the book's protagonist) distain for eyewitness identifications (p. 11) and later concludes that two witnesses who glimpsed another killer made a mistake when they identified yet another murder as the killer from a newspaper photo. (p. 241, 243) Yet, the author draws no conclusions about whether Dullea is correct in his concerns (the DNA exoneration cases and the Department of Justice guide on Eyewitness ID woudl emphatically say "yes"), or, if so, how such mistakes could happen.
Eventually, the reader will figure out that the author is using "gorilla men" as a metaphore for a series of sexually-motivated murders in the 1930s. Indeed, the Titular "Laughing Gorilla" first appears on page 82, commits a murder, then vanishes again.
Meanwhile, the reader learns about some of Dullea's other cases -- a corrupt Chief Public Defender, Duellea's mentor who becomes a leading safecracker, and Dullea's struggles with deparment corruption.
After the Laughing Gorilla's murderous debut, the reader is next introduced to "Slipton J. Fell", part time reporter for the San Francisco Chronicle. The author reveals that he is a murderer and hints that he may be the Laughing Gorilla. Although we are introduced to Bosworth, Fell's editor, nothing is said about the fallout of Fell's eventually arrest and gulity plea in another case, or how the paper reacted to finding out that two eyewitnesses identified Fell as the Laughing Gorilla.
By page 251, Fells has confessed to one murder and pled guilty. The police are unable to charge him with the Laughing Gorilla murder, but believe him to be guilty. Yet, the chapter ends with Dullea unsatisfied, concluding that Fells was not the Gorilla Man. (So why have we spent the last 170ish pages following him? -- he's an interesting character, but how does he fit into _this_ book?)
But for the next 50 pages, the real Gorilla Man is mostly absent. And the reader learns more about police corruption in San Francisco. Interesting stuff, but it isn't tied in to the Gorilla investigation.
Finally, as the book meanders to its conclusion, the Gorilla Man reappears at around page 304. The book concludes 30 pages later with Dullea's confrontation with Harry Gordon, who confesses to the murder commmitted on page 82. We learn nothing of Gordon's fate -- is he convicted? executed? There's a brief author's note, but little to tell the reader what happened to the characters after Gordon's arrest.
In sum, read it for its atmosphere, but expect to struggle with its structure.
7 of 9 people found the following review helpful.
Sucks You Into 1930s San Francisco!
By Alison A. Shurtleff
I loved this book and couldn't put it down. Graysmith has a way of imbuing each sentence with an interesting fact, as he did in "Zodiac." He is definitely one of the best true crime writers out there. This story was fascinating, and how Graysmith was able to put himself so effectively in the time and place of San Francisco in the 1930s is a mystery. I eagerly await his next book.
2 of 2 people found the following review helpful.
Laughing Gorilla leaves me unsatisfied
By DocKC
The writer tries to be too clever in his gorilla metaphor, skipping around too much from one case to another, involving multiple killers without telling us much about them. For example, where did Slipton J. Fell come from? How did he get his name? etc. The other "gorillas" killers are also quite sketchy for the most part. The corruption story is not well-integrated. However, even with all the flaws, it is a fascinating look at the beginnings of the Serial Killer phenomenon in 1930's San Francisco. I could see this as a movie.
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