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Black Notice: Scarpetta (Book 10), by Patricia Cornwell
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The decomposed remains of a stowaway lead Dr. Kay Scarpetta on an international search to Interpol’s headquarters in Lyon, France—and on a mission that will pull her in two opposite directions: toward protecting her career or toward the truth.
- Sales Rank: #95172 in Books
- Brand: Berkley
- Published on: 2008-12-30
- Released on: 2008-12-30
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x 1.00" w x 4.25" l,
- Binding: Paperback
- 544 pages
- Great product!
Amazon.com Review
The postmortem is in--Black Notice, the 10th in Patricia Cornwell's Scarpetta series, is a gore-splattered, intensely exciting read. As winter grips Richmond, Virginia, an air of somberness pervades chief medical examiner Kay Scarpetta's world. Her beloved niece Lucy is involved in a dangerous undercover police operation in Miami, and auntie fears for her life. A tyrannical new deputy chief, Diane Bray, wants to get Kay's department under her jurisdiction. Meanwhile, back at the office, someone has tinkered with the e-mail system, stealing Kay's identity, and sending off slanderous and hurtful messages. Emotionally battered, Scarpetta fears she is going insane. Or, could it be that someone is deliberately sowing this harvest of sorrow?
Despite her personal problems, Scarpetta is still the reigning diva at the department of death. She is sent to investigate the putrefied remains of a man found inside a container ship, "eyes bulged froglike, and the scalp and beard were sloughing off with the outer layer of darkening skin." Kay finds strange, animal-like hairs on the man's clothing--the same hairs that she discovers on a murdered store clerk a few days later. In actuality, the bizarre killings extend well beyond Virginia; whoever killed the Richmond victims also butchered people in France. Kay and police captain Pete Marino are whisked off to Paris where they must collect top-secret information from a Paris morgue, and avoid becoming victims themselves.
This macabre tome is the stuff that classic Scarpetta tales are made of: creepy but compulsive autopsy scenes, plentiful plot twists, and the compelling, if slightly more vulnerable chief medical examiner herself. --Naomi Gesinger
From Publishers Weekly
It's like a splash of cold water on a hot day to be plunged, after the irritating third-person satire of Cornwell's last novel, Southern Cross (1998), back into the bracing narration of medical examiner Kay Scarpetta. As in the nine Scarpettas past (Point of Origin, etc.), here it's not the novel's events, startling as they are, that propel the story so much as the deep-hearted responses of Kay, as real a hero as any in thriller fiction, to the "evil"Aher wordAthat threatens. Evil wears several faces here, from petty to monstrous. Most insidious is the office sabotageAinsubordination, thefts, fraudulent e-mailsAthat's making the grieving Kay look as if she's lost her grip since her lover's murder in Point of Origin. More destructive are the overt attempts by calculating Richmond, Va., deputy police chief Diane Bray to ruin Kay's career as well as that of Kay's old friend, Capt. Pete Marino. Then there's the wild rage at life that's consuming Kay's niece, a DEA agent. FinallyAthe plot wire that binds the sometimes scattered plotAthere are the mutilation killings by the French serial killer self-styled "Loup-Garou"Awerewolf. The forensic sequences boom with authority; the brief action sequences explode on the pageAin the finale, overbearingly so; the interplay between Kay and Marino is boisterous as always, and there's an atmospheric sidetrip to Paris and an affecting romantic misadventure for lonely Kay. A thunderhead of disquietude hangs over this compulsively readable novel, sometimes loosing storms of suspense; but to Cornwell's considerable credit, the unease arises ultimately not from the steady potential for violence, but from a more profound horror: the vulnerability of a good woman like Kay to a world beset by the corrupt, the cruel, the demonic. One million first printing; $750,000 ad/promo; Literary Guild, Doubleday Book Club and Mystery Guild main selections; unabridged and abridged audio versions; foreign rights sold in eight countries.
Copyright 1999 Reed Business Information, Inc.
From Library Journal
"Black Notice" is a designation given by Interpol to unidentified corpses with possible international ties. Cornwell's tenth novel, featuring Kay Scarpetta, begins with the discovery of a decomposed body among the cargo of a Belgian ship that has just docked at Richmond, VA. Shortly thereafter, Scarpetta is called to the scene of a grisly murder. As she and police captain Pete Marino work to solve the case, it becomes apparent that this murder is linked to several others in France and to the body from the ship. This novel focuses on the features that made Cornwell's earliest novels so interestingAthe slow unraveling of a mystery using Scarpetta's skill and intelligence rather than the increasingly unbelievable plot lines and tired characters of her later books. It is Cornwell's best novel in this series in a while, and fans of her work should enjoy it immensely. Recommended for public libraries and popular reading collections.ALeslie Madden, Georgia Inst. of Technology Lib. & Informations Ctr., Atlanta
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Kay is Oh-So-Emotional
By Richard R
This is the tenth Kay Scarpetta novel, and it might be time for Cornwell to move in a new direction. The early books were made compelling by the science of the medical examiner, solving crimes based on clues found on the bodies - trace fibers and hairs and intriguing wounds. However, the series has devolved into a Kay Scarpetta pity-party. This seems like about the fourth or fifth book in a row where Kay's deep and traumatic emotional life pretty much drives the story. The monstrous villain with the one-in-a-billion medical disorder is not new, nor are the attacks on Kay's house and office. But her constant whining about her emotional distress, the erosion of the Lucy character to nothing but a gun-and-an-attitude, and the cut-and-paste story line make for pretty tedious reading. Worst of all, the autopsy scenes around which the early stories pivoted have now become mere sidelines, tasks that Kay must perform between her breathless rasslin' matches with the bad guy and her teary memories of Benton. The Scarpetta series is stale, Cornwell needs to move on to a new theme. I've read my final Kay Scarpetta story.
4 of 4 people found the following review helpful.
Really disappointing
By A Customer
We have to wait ages in England to get the latest in the series, and so to wait so long and then read this book was a real let down.
Kay is self-centered and nasty-she is not the only one who loses people, and after all, she deals with death every day; it is totally self-indulgent to let everything slide.
The so-called hidden agendas are laid on so obviously it is a wonder she reamins clueless for so long.
Marino and Lucy are two nasty pieces of work, and Lucy's gayness is mentioned every two seconds, as is Marino's homophobia, as if any of it is actually of any interest to people who want absorbing characters. What does any of it have to do with being a good detective or ATF officer? I can't find myself liking any of the characters I once found so fascinating; they are all so self-absorbed and out of control.
The book is world-weary, and it shows, and as for the 'criminal' at the end, without giving too much away for those who persist in the struggle to find anything redeeeming about this novel, well, all I can say is, pathetic and stupid.
0 of 0 people found the following review helpful.
Absolutely Dreadful
By Christopher Farrell
OK, so the "Black Notice" of the title is a dead body that shows up in the first couple of chapters. By page 150 they still haven't even finished the autopsy. The plot is buried in layers of irrelevant and tedious detail presented with a tortured writing style.
If that weren't bad enough, the majority of the first half of the book is dedicated not to this intruiging story line, but - and I'm not kidding here - to a burocratic power struggle amongst egotistical civil servants. I cannot remember every having read a more tedious, uninspiring, lengthy and pointless subplot (although I haven't read anything by Tom Clancy recently). And this whole subplot is based on the premise of a computer security breach that even the most novice user of AOL would find laughable.
Throw in a cast of annoying, unsympathetic characters (not even Kay or Mariano are even the least bit endearing), most of whom are unbelievable to boot, and you get a read that is tiresome and pointless.
Worst book I've read in quite some time.
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