PDF Ebook Spook Country, by William Gibson
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Spook Country, by William Gibson
PDF Ebook Spook Country, by William Gibson
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The “cool and scary”( SAN FRANCISCO CHRONICLE) NEW YORK TIMES BESTSELLER
Hollis Henry is a journalist on investigative assignment for a magazine called Node, which doesn’t exist yet. Bobby Chombo apparently does exist, as a producer. But in his day job, Bobby is a troubleshooter for military navigation equipment. He refuses to sleep in the same place twice. He meets no one. Hollis Henry has been told to find him.
- Sales Rank: #75906 in Books
- Brand: Gibson, William
- Published on: 2009-03-03
- Released on: 2009-03-03
- Original language: English
- Number of items: 1
- Dimensions: 7.49" h x .98" w x 4.21" l,
- Binding: Paperback
- 496 pages
Most helpful customer reviews
69 of 76 people found the following review helpful.
character-driven, thoughtful novel
By Constant Reader
I have always been a fan of Gibson's, and so I was surprised by some of the negative reviews of this book-- and even more surprised now that I've read it! Gibson's writing hallmarks are here-- deft characterization, gorgeous writing, a way of presenting the world of (as one reviewer put it) product placement through a new perspective. In this book, echoes of other characters can be found-- musician-turned-journalist Hollis reminded me of Marly, and tranquillizer-addict Milgrim drifts through his experiences with a distance much like Laney's in Idoru. What's changed, however, is that instead of projecting his story into the future, it's set in a present-day which is as much science-fiction to most people as the future could be-- a world where wartime corruption, Malay straits pirates, artists working in GPS, and Ativan addicts come together and drift apart again. Gibson himself pokes fun at his own Neuromancer vision of VR, and suggests that we are all doing it now-- just without the gloves and goggles. This book was clever, thought-provoking, and surprisingly gentle in the end, with its characters and also with its vision of our (possibly not all that bleak) world, with lots of possibilities for redemption or at least continuing forward-- and, I thought, well-paced from beginning to end.
One warning: a lot of the reviews below, esp. the negative ones, have spoilers in them.
112 of 138 people found the following review helpful.
Pattern Recognition this is not
By Geoffrey Kleinman
Gibson's Pattern Recognition is brilliant, Spook Country is not. While not a particularly awful book, it's just not a very good one. Gibson tries to tell 3 disconnected stories in parallel - a narrative device that never seems to really connect. When the 3 story lines of the novel do finally collide, the payoff is so weak and anticlimactic that it makes the arduous journey through this book feel even more worthless.
There are some interesting moments in Spook Country and some good characters, but just when you start to connect with them Gibson yanks them away. The problem here is focus, Gibson seems
to be trying to do too much in Spook Country and he isn't able to do all of it well. Had he picked one thread and developed it better he would have had a much better book.
I bought this book in Hardcover right when it was released with the expectations that it would be in the league of Patter Recognition. Unfortunately it isn't. I won't completely warn people off this book because there are so many books out there that are much worse. But I don't feel like I particularly got my moneys worth.
13 of 13 people found the following review helpful.
spook noire, shoehorning or genius?
By Pierce E. Scranton Jr.
I've read everything William Gibson has written, and I guess that in and of itself betrays that I like his work. He has a sort of detached writing style, reminding me of "Blade Runner" or "L.A. Confidential." The characters don't reveal much of themselves, and sometimes their material possessions seem more important than how they feel and who they are.
Spook Country was the hardest book to read of Gibson's, a very difficult read. Is he getting obsessive-compulsive? Try the shoehorning on page 71: "Inchmale understood it, though, and indeed had championed it, as soon as it was digitally possible pulling guitar lines out of obscure garage chestnuts and stretching them, like a mad jeweler elongating sturdy Victorian tableware into something insectile, post-functionally fragile, and neurologically dangerous." Really?
On the other hand, some of the descriptive verbage to me borders on genius - 126, "The Frankfort School, as they'd called themselves, had wasted no time in plunging their intellectual ovipositors repeatedly into the unsuspecting body of old-school American academia."
So you have to realy like William Gibson - which I do - to fight your way through a difficult but enjoyable read.
Pierce Scranton M.D.
author, "Death on the Learning Curve"
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